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(FRENCH, 1839 - 1906)
Circa 1895 - 1900
Christie's, New York
Impressionist & Modern Art Evening Sale (Sale 12145)
gouache, watercolor and pencil on paper
18.90 in. (48.00 cm.) (height) by 24.69 in. (62.70 cm.) (width)
Paris, Salon d'Automne, Exposition rétrospective d'oevres de Cézanne, October 1907, no. 37. London, Leicester Galleries, Paul Cézanne, June-July 1925, no. 28. Berlin, Galerien Thannhauser, Erste Sonderausstellung, January-February 1927, p. 34, no. 31 (titled Stilleben). New York, The Museum of Modern Art, Modern Works of Art, November 1934-January 1935, p. 23, no. 9 (titled Still Life; with inverted dimensions). New York, Marie Harriman Gallery, Cézanne: Centennial Exhibition, November-December 1939, no. 29 (dated 1895-1905). Ohio, Columbus Gallery of Fine Arts, Watercolors by Paul Cézanne, December 1939-January 1940, no. 13 (dated 1895-1905). New York, Wildenstein & Co., Inc., A Loan Exhibition of Cézanne: For the Benefit of the New York Infirmary, March-April 1947, p. 70, no. 81 (illustrated, p. 72; titled Théière et Fruits). New York, The Metropolitan Museum of Art, The Lewisohn Collection: A Catalogue of the Paintings, Watercolors and Drawings, Prints, and Sculpture Shown in a Special Exhibition, November-December 1951, p. 44 (illustrated). The Art Institute of Chicago and New York, The Metropolitan Museum of Art, Cézanne: Paintings, Watercolors & Drawings, February-May 1952, p. 79, no. 87 (illustrated, p. 78; dated 1895-1905). Aix-en-Provence, Pavillon de Vendôme, Exposition pour commémorer le cinquantenaire de la morte de Cézanne, July-August 1956, no. 78 (titled Théière et fruits and dated 1898-1900). Poughkeepsie, Vassar College and New York, Wildenstein & Co., Inc., Centennial Loan Exhibition, May-September 1961, no. 91 (illustrated; dated 1895-1905). New York, M. Knoedler & Co., Inc., Cézanne Watercolors: An Exhibition at M. Knoedler and Company, April 1963, pp. 54-55, no. 60 (illustrated, pl. LXII; dated 1900-1905). Washington, D.C., The Phillips Collection; The Art Institute of Chicago and Boston, Museum of Fine Arts, Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of The Phillips Collection, February-July 1971, p. 84, no. 50 (illustrated, p. 85).
J. Meier-Graefe, Cézanne und seine Ahnen; Faksimiles nach Aquarellen, Feder und anderen Zeichnungen von Tintoretto, Greco, Poussin, Corot, Delacroix, Cézanne, Munich, 1921, (illustrated in color), pl 19. G. Rivière, Le maître Paul Cèzanne, Paris, 1923, p. 220. Formes, 1932, p. 309 (illustrated). L. Venturi, Cézanne: son art–son oeuvre, Paris, 1936, vol. I, p. 285, no. 1150 (illustrated, vol. II, pl. 330; titled Théière et fruits and dated 1895-1905). S.A. Lewisohn, Painters and Personality: A Collector's View of Modern Art, New York, 1937, p. 10, (illustrated, p. 32, pl. 15). F. Novotny, Cézanne, Vienna, 1937, (illustrated in color, pl. 110, titled Théière et fruits and dated 1900). G. Nicodemi, Cézanne, Milan, 1944, (illustrated, fig 68). J. Rewald, Paul Cézanne: A Biography, New York, 1948, p. 198 (illustrated in color, pl. IV; titled Still Life with Teakettle). J. Elderfield, "Drawing in Cézanne" in Artforum, June 1971, p. 57 (illustrated, p. 56; with incorrect provenance). W. Rubin, ed., Cézanne: The Late Work, New York, 1977, p. 358, (illustrated pl. 171). J. Rewald, Paul Cézanne: The Watercolors, Boston, 1983, pp. 221-222, no. 544 (illustrated).
Paul Cézanne fils, Paris (by descent from the artist and until 1907). Walther Halvorsen, Oslo. Conrad Pinéus, Gothenburg. Walther Halvorsen, Oslo. Justin K. Thannhauser, Berlin (by 1927). Samuel A. Lewisohn, New York (by 1934). By descent from the above to the present owners.
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